DESIGNER


Currently a Senior Designer at Ogilvy, Sarp Sozdinler worked with Wieden+Kennedy Amsterdam, Base Design Brussels, VtwoB Modena, and ran his studio between 2013 and 2019. He worked for a wide client base including Nike, Facebook, Ray Ban, and Uber, and got published in It’s Nice That, Etapés, Novum, Eye, among others. He started teaching Typography as a visiting professor after having completed his studies at the University of Applied Arts in Vienna and the Mimar Sinan University of Fine Arts in Istanbul.




Deadwood | Poster & newsletter, 2012





WRITER


Sarp Sozdinler is a writer based between New York and Amsterdam. His writing has been featured or is forthcoming on The Masters Review, HAD, X-R-A-Y, No Contact, Epiphany, Passages North, The Offing, Moonpark Review, and elsewhere. Some of his longer pieces have been selected as a finalist at literary contests, including the Waasnode Short Fiction Prize judged by Jonathan Escoffery. He is perpetually at work on his first novel.

Solstice | Twice
FINALIST AT THE WRITER’S DIGEST’S SHORT SHORT STORY AWARD, 2019


Passages North | An Aftermath in Gold and Red
FINALIST AT THE WAASNODE SHORT FICTION PRIZE, 2020


The Offing | Rain God
NOMINATED FOR BEST MICROFICTION ANTHOLOGY, 2021

HAD | Two Comics (2022)
The Masters Review | Houses Acting Like Cars (2022)
The Racket | White Iverson
X-R-A-Y | Angry Gnomes
No Contact | Eating Flowers
Cagibi | The United Saguaros
The Museum of Americana | Fistlike Mouth and Rotating Thoughts
The Sonora Review | Ladybird (2022)
Epiphany | Scallops (2022)
Moonpark Review | Southward (2022)
Little Somethings Press | A Knot of Limbs (2022)
Decomp | Civilized Societies
Sip Cup | A Game With Its Own Rules
Riverbed Review | A Ghost in the Quicksand
Pigeon Review | The Tail of a Gypsy Moth
The Remnant Archive | Nameless White Dots