The exhibition 'Les Glaneurs et Les Glaneuses' itself can be considered as a fragment from contemporary Turkish photography, a modest result of collecting done within a generation. The exhibition brings together 18 collectors-photographers investigate in the ontology, possibilities, limits, passages and abysses of photography in vastly different ways. Finally, it invites the viewer to be a collector in order to create her own discourse through the principle of montage, to disassemble conventional categories.